Engines Of Capital
April 12, 2010
This takes us into the first mission. It’s meant to be one of three. The complexities of the interellating events has stalled me on Act One so far.
This does show the first instance of the time travel method though. Something of which am a little proud.
The Factors gather
(As the Factors gather and speak together their words grow closer. When they reach the point where each one sounds a single word or syllable, their voices merge as I one person was speaking. After this point they gradually separate until they all speak normally.)
CONNECT: I know the place. Engines of capital
decay and great powers slumber and dream.
SPEAK: But
agents of warfare hive their way about
like blind parasites inside a beehive
senseless and unwitting
SENSE: they skitter round
un-purposed, un-regarded, and their thoughts
unshaped by future con
MAKE: flict cast into
the future there to dream up
SEE: pon new wars
and dreaming in the dark
SPEAK: ness make them so
aside from the atten
SENSE: tion of the state
lost in some
SENSE: minor office of
Make: the land
a confe
CONNECT: rence room, Formica tab
SPEAK: les, chairs
an audi
SENSE: ence that
SEE: sleeps ex
MAKE: cept for one
SPEAK: who turns
SENSE: some strange i
SEE: dea in
MAKE: side their
CONNECT: head
SPEAK: and
SENSE: with
SEE: in this
MAKE: new
CONNECT: con
SPEAK: cept
SENSE: grows
SEE: a
MAKE: storm
CONNECT: that al
SPEAK: ters new events
SENSE: and shifts the
SEE: shape
of history we have built
MAKE: and brings it down
the roots of this invention we must
SPEAK: trace
undo it if we can I have the face
CONNECT: and I the time
SEE: and I the place
I feel I tread upon alien sands
Can you feel the past firming all around?
We stand where nature never
SPEAK: did intend
the voices and the sights of this lost time
are as real to me now as a nightmare
SENSE: In moments after waking, we are there.
I call break, confirm?
SPEAK: Break
CONNECT: Break
MAKE: Break
SEE: Break
SENSE: Break
A light shines from back of stage directly into the audience.
Enter Schofield, he faces into the light.
SCHOFELD: Don’t look too closely at the projection
we’ve now got war veterans that cower and twitch
in asylums and housed for the mad
hiding from the colours, bulleted points
the flow charts, pastel arrows and pie graphs
that crawl from every surface and infest
the waking eye. PowerPoint P.T.S.D
Schofield pauses for invisible laughter.
You can’t take a piss without graphing it!
SPEAK: Give me flesh Connect.
SENSE: Not yet speak.
SPEAK: Cummon!
You want to sit for half an hour of this?
SEE: Once you enter time it can’t be re-played.
SPEAK: Make. A wallet and other portable goods?
MAKE: I’ll need an I.D, Sense?
SEE: You don’t know who
You’re speaking to or who you’re meant to be
SPEAK: So lets find out?
SENSE: This is Mr Schofield
At least that’s the name on his papers and cards.
SEE: We can’t just dive in!
SPEAK: Nothing can be known
that can’t be discovered at our command
SENSE: The regular latticed information
known things and easily graph-able acts